Writing on the Ethr: Your Fastest Read Today

A many splendr-ed shame: cutesy names for companies

“I messed up, I owe you an explanation.”

You see, Jane and I have been misspelling the name of this new column. This Flickr-ed into my mind while watching Netflix shoot itself in the other foot with Qwikster. Reed Hastings, having turned “flicks” into “flix,” should have named the DVD service Qwixtr. It’s not as if the Qwikster Twitter handle was even available.  Here on the Ethr? We’re good now, all aligned with Tumblr. Nothing affected about that, either. Next week, we roll the “r.”


Your fastest read today

—New Yorker critic Alex Ross on Paul McCartney’s Ocean’s Kingdom

 

Take that, Simon & Schuster

“Let me make it clear that I have no objection to receiving checks that may accompany the statements. But I would feel a great deal better depositing them if I knew that an acre of trees had not died just so that I could report to clients that their books had earned $0.00 for the twelfth year in a row.”

—Richard Curtis enlists agents and authors to help him end
Simon & Schuster’s War on Trees

 

Once more into the bookseller breeches

“The digi-catastrophists predict, now that we have reached 8-10% e-book penetration, that chain bookstores and independents alike are condemned to the same oblivion. That argument ignores a central truth: the chains and independents have evolved to present nearly antithetical shopping experiences.”

Don Linn and Jack McKeown at Bait ‘n’ Beer observe  bookselling’s arid spring:
Will Independent Bookstores Seize the Day?

 

“Ebooks are the most dominant force in contemporary publishing. Their sales rose nearly 40 percent in 2010, and more than a third of book publishers (surveyed say) they will issue more than 75 percent of their titles as ebooks in 2011.”

Slideshare presentation from Eric Freese with Six Key Takeaways from Aptara’s Third Annual Survey

 

“I am sorry there is no way to present this as anything other than confusing.”

—Shoppin’ Mike Shatzkin finds
The ebook marketplace could definitely confuse the average consumer

 

Wait a minute, Disney didn’t make Avatar

“Call me a purist, but I have always found it a bit off-putting when Disney injects non-Disney material into the parks … I worry about this for Avatarland. Will the Na’vi interact with Mickey and friends? Will we see giant tanks rolling down the main streets of the Animal Kingdom? Perhaps most ‘gasp-worthy,’ will they turn the Tree of Life into the Tree of Souls?”

Jordan Edwards opines in Avatarland: Disney’s Checkmate?

 

Maybe the London rioters were Kindle readers

“The thugs in London and Birmingham didn’t steal from the book shops for this reason: there was nothing in there they wanted.”

Colin Falconer ‘s admirable Bonnie Tyler moment:
Why Writers Write and Readers Read

 

Designers on the ether

“Perhaps the biggest challenge for American design is that design itself is a concept both murky and diffuse, two adjectives that don’t coexist easily with American enthusiasm and impatience … It requires a certain fluidity and tolerance for change that can be hard to manage, especially in a corporate context. For maximum effectiveness, it needs to be part of a bigger system. Even then, it’s maddeningly hard to measure.”

Linda Tischler at Fast Company on the The United States of Design

 

“MoMA’s design curator is a quirky tastemaker and articulate advocate.”

—Paola Antonelli’s write-up as one of
Fast Company’s America’s 50 Most Influential Designers (infographic)

 

The Museum of Modern Art “Talk to Me” |  image by Etienne Mineur

“This book allows a user to navigate a choose-your-own-adventure story through folding patterns that physically trace her journey and decisions. Near the end of any particular path, a smartphone and QR tag can be used to link to an online video segment that brings the story to an interactive conclusion.”

—gallery text from Paola Antonelli’s exhibition “Talk to Me” for
Etienne Mineur‘s
The Night of the Living Dead Pixels

 

“Designers today have to be a little bit script-writers.”

—Paola Antonelli  in her English-language streamed walk-through of Talk to Me

 

“An NYC members-only workspace … a think tank for any small businesses or individual looking for a beautiful, simple, and convenient place to work when paying for office space just isn’t feasible.”

Brett Valls finds a well-designed answer to the question “where to write?” in
Grind: Revolutionary Workspace That Will Change Small Business As We Know It Forever

 

Bookmark it now, read it later

“She asked about (my) books, which she had read—which is more than I have.”

—Philip Roth on interviewer Livia Manera, in Celestine Bohlen’s
Rare Unfurling of the Reluctant Philip Roth

 

“My question to you, Jonathan: Is the capacity to act amid uncertainty “romantic?” Is it “poetic?” Does your philosophy see a connection between the pursuit of “beauty,” as Keats phrased it, and contemporary entrepreneurial marketing/publishing/commerce?”

Steven Pressfield the Resistance Slayer asks the right questions in
Jonathan Fields on Uncertainty

 

“My father was a fan. I hadn’t known. Or if I’d known, I hadn’t thought of it that way. Looking more closely at the files, I saw that they weren’t comprehensive, that some sort of selection process was at work. It definitely wasn’t what I would’ve picked for my career retrospective. I figured that his collection and curation of my work was his way of holding the person I’d become closer, to understand me better. I just sort of wish we’d talked to each other about it.”

John Warner discovers My Biggest Fan

 

“A DOG’S BREAKFAST IS TURKEY, MEATLOAF, PASTA, SALAD (he’d tick off a finger on his left hand to emphasize each foodstuff) WHATEVER’S LEFT IN THE ICEBOX! THIS GODDAMN NOVEL SOUNDS JUST LIKE THAT…SCIENCE FICTION AND FAMILY DRAMA WITH THE PROMISE OF THROUGHLINE CRIME SLOSHING AROUND WITH A REDEMPTIVE MATURATION PLOT! CHOOSE ONE GENRE AND DO IT WELL. DON’T PUBLISH WRTERS WHO DON’T CHOOSE!”

—Shawn Coyne recalls St. Martin’s Press’ Thomas McCormack in Glove Before Stick

 

How-to’s of the week

“There are lots of different kinds of books, and we can point to a few clear reasons why some books sell better than others:

  • It has unique information that’s in demand, but that cannot be found anywhere else
  • It solves a problem that many people have
  • The story is compelling and/or entertaining
  • The author is a celebrity
  • The book is already selling and people start telling others about the book”

Joel Friedlander offers his lead article from CreateSpace,
Basics of Book Marketing for the Beginning Self-Publisher: Part 1, Part 2, and Part 3

 

“For months now I’ve been re-writing the line ‘Submit personal essay.'”

Patrick Ross asks Do You Suffer from “Not-Quite” Paralysis?

 

Madder men

“Remember when TV viewers were seen as passive consumers? The minimal effort required to operate a remote control (and open a beer and a bag of Cheetos) meant that sitting on the couch and taking in a few of your favorite shows made you a “couch potato.” Funny how the addition of just another small device—the smartphone—to the mix has transformed the couch potato into a superfan/social-marketer/programmer with the power to transform TV.”

Simon Dumenco channel-surfs:
Seven Things You Need to Know About ‘Social TV’ Right Now

 

Smackdown among the MFA-ranking haters

“Columbia is … for people whose genitals still work, dammit. For writers who want to be brave and persevere in the real world where people often fail.”

—Scott Kenemore defends his alma mater’s family jewels in
Nice Try: Why the Poets & Writers MFA rankings are a sham

 

Every girl’s crazy ’bout a sharp undressed man

“I saw something startlingly familiar: the Parke & Ronen men’s swimwear show I’d attended a few nights earlier, but set in ancient Greece. What I was looking at were marble sculptures of kouroi, or youths, from around 600 B.C. They were all nude and all shared the same pose: standing upright, arms down, staring blankly ahead, with one foot slightly advanced, as if in forward stride.  The pose, as I now knew, was standard on runways. So was the body type. And the blank beauty. The Parke & Ronen men looked like generic career hunks. The kouroi did, too; so generic, in fact, that they seemed barely human. ”

—Critic Holland Cotter toughs it out at Fashion Week: Male Models at the Line of Beauty

Porter Anderson

Porter Anderson is a Fellow with the National Critics Institute, and a senior producer and consultant formerly with the United Nations World Food Programme in Rome and INDEX: Design to Improve Life in Copenhagen. As a journalist, he has worked with media including CNN, the Village Voice, and the Dallas Times Herald. He’s based in Tampa.

Posted in Writing on the Ether.

Porter Anderson / @Porter_Anderson

View posts by Porter Anderson / @Porter_Anderson

Porter Anderson (@Porter_Anderson) is a journalist and consultant in publishing. He's The Bookseller's (London) Associate Editor in charge of The FutureBook. He's a featured writer with Thought Catalog (New York), which carries his reports, commentary, and frequent Music for Writers interviews with composers and musicians. And he's a regular contributor of "Provocations in Publishing" with Writer Unboxed. Through his consultancy, Porter Anderson Media, Porter covers, programs, and speaks at publishing conferences and other events in Europe and the US, and works with various players in publishing, such as Library Journal's SELF-e, Frankfurt Book Fair's Business Club, and authors. You can follow his editorial output at Porter Anderson Media, and via this RSS link.

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Jill Kemerer

This round-up was just what I needed on an average Thursday morning. Love the variety of links, not only in content, but in tone. I feel like I just drank a cup of super-caffeinated coffee–thanks!

Porter Anderson

Hey, thanks so much, Jill, glad it works for you. Personally, I could use that coffee, myself, time for Starbucks. 🙂

Anne R. Allen

Fantastic round-up of the week’s most interesting quotes. Love the piece on the independent bookstore. I see them sprouting up in the wreckage of the monster chains. Love it.

Porter Anderson

Thanks so much, Anne, and I agree about Don and Jack’s good piece on the independents. They’re very right, though, that if those independents, as you say, are to sprout up in the wreckage of the chains, they have to move very fast. People will acclimate to online commerce very fast in the vacuum of vanishing Borders locations. And those crowds will be much harder, if not impossible, to woo back to bricks and mortar once they’ve “gone over.” I’m long, long gone, myself, and would much rather search out and buy books at Amazon, not even interested in a… Read more »

Joe Bunting

Great stuff as usual, Porter. I love what Shoppin’ Mike said about how confusing the ebook marketplace is. I think someone is going to make a name for themselves if they take up the task of curation (as you are doing in these posts).

By the way, you now need to change your name to Portr.

Porter Anderson

You’re so right, Joe, I’d better get that Portr thing going right away, I’m way behind the curve on that. And yeah, Shoppin’ Shatzkin’s piece was a terrific exercise in just how completely splintered the whole process has become, not only in pricing ebooks but also of presenting them. The comments that follow his post show how many apples-to-oranges mix-ups about various editions of “enhanced” releases, etc., are waiting for unwary buyers. It’s a festival of transition, this industry. 🙂