During the last weekend in September, I had the good fortune to speak at the Writer’s Digest indieLAB, where children’s author Zetta Elliott gave the keynote address. She spoke about the great need for children to read stories that act as mirrors and referenced an essay by Rudine Sims Bishop, “Mirrors, Windows, and Sliding Glass Doors.”
In that essay, Bishop writes: “When children cannot find themselves reflected in the books they read, or when the images they see are distorted, negative, or laughable, they learn a powerful lesson about how they are devalued in the society of which they are a part. Our classrooms need to be places where all the children from all the cultures that make up the salad bowl of American society can find their mirrors.”
I was reminded of Elliott’s talk when I read May-lee Chai’s experience in elementary school, when she was forced to read a story about a Japanese-American girl embarrassed by her mother, who spoke in broken English—which was supposed to be funny.
I wanted to sink into the earth when my class read this story aloud. The plot of the story—the narrator learning to appreciate her mother despite her “flaws”—was offensive. Worst of all, it was the only story in all my five years of elementary school that even had an Asian character in it.
I remember being afraid that my classmates would think that my family and I were like the characters in that story, which was flat and certainly did not celebrate immigrants’ ability to code-switch.
Read Chai’s full essay in the latest Glimmer Train bulletin.
Also this month in Glimmer Train:
- Novel and Story by William Luvaas
Jane Friedman has spent nearly 25 years working in the book publishing industry, with a focus on author education and trend reporting. She is the editor of The Hot Sheet, the essential publishing industry newsletter for authors, and was named Publishing Commentator of the Year by Digital Book World in 2023. Her latest book is The Business of Being a Writer (University of Chicago Press), which received a starred review from Library Journal. In addition to serving on grant panels for the National Endowment for the Arts and the Creative Work Fund, she works with organizations such as The Authors Guild to bring transparency to the business of publishing.
Thank you so much for this.
When I was younger, I had a lot of things that I didn’t like about myself. One thing I did like was that I always had my nose stuck in a book. Lord knew which one it would be each day, but, nevertheless, I was always absorbing information from every book I laid hands on. Today, I view myself as a strong, independent, and successful woman, and I truly believe that the courage I have in myself stemmed from reading about strong female characters from Maximum Ride to Jane Eyre. My ever present hope is that for every child from every background, there is a similar experience waiting for them to be empowered, to see someone they want to become, to feel hope. After all, the children reading these books are the future of America, and they need to be strong and comfortable and full of hope.