There’s a very famous piece of advice from Anne Lamott that occasionally makes the rounds on social media. It’s from her well-known bestseller, Bird by Bird. She says: “You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.”
This advice, especially when shared out of context, makes me cringe. First, it doesn’t allow that one’s own perspective could be devastatingly wrong; in other people’s eyes, it may be that you didn’t behave well. (One of the first rules of personal writing: take some shots at yourself.) Nor is it likely to lead to greater compassion or understanding. But perhaps most important, it doesn’t address the consequences of what happens when you write without any regard to others in your life, whether you love and respect them or not.
In this month’s Glimmer Train bulletin, I greatly enjoyed Matthew Lansburgh’s essay, “Writing About Family: Advice, Second Thoughts, Xanax, and a Note to My Mom.” He’s a fiction writer who draws from his own life, and feels that acutely in his personal relationships. He wants to share his work with his mom, but hesitates:
Writers are often told to be true to themselves and to embrace their subject matter with honesty. We’re urged to shine a light on the darkest regions of our souls. Perhaps part of the reason I’ve always wanted to be a writer is that, growing up, my parents taught me to be honest and assert my individuality; they themselves always spoke their minds and never minced words. When I began writing this essay I hoped that thinking through these issues would help me arrive at a clearer answer of what my responsibility is to my mother now. Should I share my book with her? If she reads it and is upset, how should I respond? Should I defend myself or apologize? I realize, however, there are no simple answers to these questions.
Also this month from Glimmer Train:
- A Constitution for a Young Artist by Maxime Kawawa-Beaudan
- Joy of Revision by Amina Gautier
- Written on the Bricks: Composing While You Move by Colin Fleming
Jane Friedman (@JaneFriedman) has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers. She is the publisher of The Hot Sheet, the essential newsletter on the publishing industry for authors, and was named Publishing Commentator of the Year by Digital Book World in 2019.
In addition to being a columnist for Publishers Weekly, Jane is a professor with The Great Courses, which released her 24-lecture series, How to Publish Your Book. Her book for creative writers, The Business of Being a Writer (University of Chicago Press), received a starred review from Library Journal.
Jane speaks regularly at conferences and industry events such as BookExpo America, Digital Book World, and the AWP Conference, and has served on panels with the National Endowment for the Arts and the Creative Work Fund. Find out more.