Much of writing advice boils down to: add more conflict. Make sure there’s tension, increase the suspense, ask new questions when you resolve the old ones, and always, always complicate matters. Don’t let your characters get off too easy—don’t be nice!
In the latest Glimmer Train bulletin, novelist Carrie Brown talks about the value of having happiness in stories, but not just any happiness. Most happiness involves complication and compromise. She writes:
I am interested in happiness, but perhaps I should say more exactly that I am interested in the difficulty of happiness, or the problem of happiness. It seems to me not a simple thing at all, but something immensely complicated, an exquisitely precarious and ephemeral and nuanced state that depends—in fiction as in life, perhaps—on the nearby presence of unhappiness to be felt most acutely.
Read the full piece: The Difficult Art of Happiness.
This month’s Glimmer Train bulletin also offers:
- On Chipotle and Some Mystical Ghost by Alex Jaros
- What Do They Do? On Characters, Work, and Conflict by Amina Gautier
- Advice by Karen Russell
- The Best-Laid Plans by Josh Henkin
