traditional publishing

Should you self-publish or traditionally publish? This infographic will help you determine the best choice for you and your project.

If you have a book idea or manuscript, one of your first questions is probably: How do I find a publisher? Here are the most popular, essential resources.

The query letter has one purpose, and one purpose only: to seduce the agent or editor into reading or requesting your work. The query letter is so much of a sales piece that it's quite possible to write one without having written a word of the manuscript. All it requires is a firm grasp of your story premise.

As the publishing industry has transformed in the digital age, small press activity has proliferated. Here's how authors can evaluate their offerings.

Pitching agents at a writers conference can be a difficult task for the new writer. Here's how to make it a little easier on yourself.

Is a book's success all luck, even if 'luck' includes hitting the right subject matter at the right time, or is it marketing—and can an indie author in any way compete with a publisher?

Discussions about the "resurgence" of print and the comeback of independent bookstores amounts to wishful thinking, not an understanding of the industry.

My industry newsletter for authors, The Hot Sheet, released a special (and free) issue last week with original reporting from Digital Book World.

In 2015, Kindle Press published about 90 novels. By the end of 2016, it had published a total of 218 books—all chosen through the Kindle Scout program.

Is it better to look for a literary agent first, or to approach editors and publishers? Much depends on the commercial potential of your work.

If you're preparing to pitch your nonfiction work to agents or publishers, you may have heard about the necessity of platform. What if you don't have one?

A round-up of important 2016 publishing news and trends that will affect authors in the years to come.

Defining a "hybrid publisher" is difficult; you will hear different descriptions depending on who you ask. Here's what you need to know to evaluate one.

Today’s guest post is from writer and Sidebar Saturdays blogger Matt Knight (@mattknightbooks). One of many worrisome areas for writers

But being able to truly see if you’ve been successful in writing a compelling work requires objectivity and distance than can be hard to achieve on your own—and this is where a professional editor comes in.

Traditional publishers are experiencing a slump, and the decline of Barnes & Noble isn't helping. A look at news and trends in book publishing in 2016.

Should you self-publish? There is no single right answer to this question—it's always situational. It depends on you, your book, and your career goals. This post outlines the key questions you should ask.

Author Barry Eisler discusses the pros and cons (where they exist) of legacy, Amazon, and self-publishing; research and editing; selling book rights; and more.

Helen Sedwick and Orna Ross discuss selling international rights to your book.

Author and radio broadcaster Reggie Lutz discusses her tendency as a writer to synthesize fiction genres, recommends qualities to look for in a writing critique group, offers advice on pitching and interviewing with radio hosts, and more.

No one used to question the value of a publisher, but now everyone's wondering: What are they good for?

Learn how to pitch your nonfiction book to agents and publishers—whether you're writing memoir, narrative nonfiction, or prescriptive nonfiction.

Do males or females receive higher advances? I look at Publishers Marketplace deals data to find out.

Take a look at 5 charts that reflect current trends in the book publishing industry, and what they mean for authors.

Read my feature article for Writer's Digest magazine that explores the intersection of literary agents and self-publishing

Publishers use a P&L (profit & loss) statement to determine whether a book makes financial sense to publish. Here's how they work—plus an example form.

Author Carol Bodensteiner answers the seven questions she gets most about working with Amazon Publishing.

Last month, author Harry Bingham and I launched an author survey to explore the experiences and current leanings of traditionally published authors in the

What is crowdfunded publishing? Learn about the two types of models now prevalent, plus the major services you can choose from.

Full-time author and speaker Scott Berkun discusses his book marketing experiences as both a traditionally published author and self-published author.

UK author Harry Bingham describes the four stages of his career, and why he's decided to self-publish after good experiences with traditional houses.

Note from Jane: Today's guest post is adapted from The Writer's Advantage: A Toolkit for Mastering Your Genre by Laurie

Welcome to The Smart Set, a weekly series where I curate a selection of articles from the past week related to the publishing/media

Much shorter and quicker to go over than the initial report, this edition takes into account information interpreted from approximately 11,000 titles in genre fiction; 900 in literary fiction; 30,000 in non-fiction; and some 10,000 in children's (not YA) fiction. Hugh Howey has, since the first report, adopted a more frequent use of the term "spider" for the software his still-unnamed associate is deploying.

This infographic breaks down the key 5 publishing paths, their value to authors, the potential pitfalls, and examples of each.

Many years ago, when I started working for Writer’s Digest, I was put on the self-publishing beat. I started by

It is a pleasure to share this interview with two authors who are also marketing geniuses, Avery Monsen (@averymonsen) and

I received the following question from published author Lisa Earle McLeod—who I remember first meeting at a Foothills Writers Guild