Author Che Gilson discusses what she as an unagented author learned to look for in publishing contracts, designing your own cover art, the necessity of continually creating new material, and more.
Working with a small press is an option many authors never consider. It’s the shadowy middle ground between self-pub and a Big Five contract.
UK author Harry Bingham describes the four stages of his career, and why he’s decided to self-publish after good experiences with traditional houses.
Welcome to the weekly The Smart Set, where I curate new smart reads about the publishing and media industry. I also point to issues and questions raised, and welcome you to respond or ask your own questions in the comments. “To seek: to embrace the questions, be wary of answers.” —Terry Tempest Williams When an Author Should Self-Publish and How That […]
I recently received this very challenging question and scenario from traditionally published author Dr. Liz Alexander. I have an issue with one of my publishers and don’t really understand where I stand. Last year Octopus Publishing (who took over Gaia, publisher of four of my highly illustrated best sellers, including The Book of Chakra Healing […]
I received the following question from published author Lisa Earle McLeod—who I remember first meeting at a Foothills Writers Guild conference in South Carolina: Hi Jane, My first book, Forget Perfect, was published by Perigee (Penguin USA) in 2001. It did moderately well. Now 10 years later, as sales were starting to peter out, Forget […]