The query letter has one purpose, and one purpose only: to seduce the agent or editor into reading or requesting your work. The query letter is so much of a sales piece that it’s quite possible to write one without having written a word of the manuscript. All it requires is a firm grasp of your story premise.
Pitching agents at a writers conference can be a difficult task for the new writer. Here’s how to make it a little easier on yourself.
If you want to publish your book, here are the steps you should follow to assess your work’s potential, then research and pitch editors and agents.
Everything you need to know to start writing a book proposal for your nonfiction book.
In 2015, Kindle Press published about 90 novels. By the end of 2016, it had published a total of 218 books—all chosen through the Kindle Scout program.
Is it better to look for a literary agent first, or to approach editors and publishers? Much depends on the commercial potential of your work.
If you’re preparing to pitch your nonfiction work to agents or publishers, you may have heard about the necessity of platform. What if you don’t have one?
No one used to question the value of a publisher, but now everyone’s wondering: What are they good for?
Do males or females receive higher advances? I look at Publishers Marketplace deals data to find out.
Learn how to craft a strong novel synopsis, while avoiding the most common mistakes, including the dreaded “synopsis speak.”
Should literary writers consider self-publishing? How it might affect their long-term careers? Two agents weigh in.
UK author Harry Bingham describes the four stages of his career, and why he’s decided to self-publish after good experiences with traditional houses.
Note from Jane: Today’s guest post is adapted from The Writer’s Advantage: A Toolkit for Mastering Your Genre by Laurie Scheer (@mediagoddess213). So you think your idea for a new vampire novel is a good one? Think again. Nine times out of ten, your idea is really quite mediocre and has been done before, actually a […]
Since 2009, after the release of my second novel, I’ve been a so-called hybrid author, working with New York publishers as well as self-publishing. I’m often asked why I chose to combine these two seemingly disparate publishing careers, juggling twice the work.
Best Business Advice for Writers is a monthly link round-up where I share the best online articles focused on the business of writing and publishing.
I had 7 an overflowing shelf of rejection notices when John Grisham—a friend and neighbor—took me under his wing and taught me his writing secrets.
There are no “rules” for agent-assisted self-publishing, but the biggest drawbacks are usually loss of control and loss of royalties. All authors should negotiate a contract beforehand that protects their rights and lifetime earnings.
Last year, on April 1, I released an e-book, The Future of Publishing: Enigma Variations. It was mostly an April Fool’s Joke—a joke that cost you $1.99. (Read a full description here, plus reviews.) In this 39-page PDF, I offer 14 possible scenarios for the future of publishing … exaggerated scenarios. But in the final variation, […]
I recently received the following question from a writer who wishes to remain anonymous: Every new writer wants to know how to get an agent and everyone seems to write about that topic. But I want to know how to assess my agent. How do I know if I have a good one? I’m trying […]