Yesterday, my feature article for Publishing Perspectives went live:
Here’s a little excerpt:
Debate continues about whether the reader really prefers [serials] for long-form narratives. Shya Scanlon, a literary author who experimented with serialization in 2009 with The Forecast 42 Project says, “It would have been much better had I had the full print edition available during the serialization, so that people who wanted to read in full could do so. Though the feedback I received from readers during the serialization was positive, there was ambivalence about the reading process. It was either too slow or too quick for readers.”
On the other hand, Scanlon pointed out that the process of serialization, which spanned over 21 weeks, helped with buzz and in developing relationships with many editors and bloggers in his community. Ultimately, the process found him a publisher for the print book.
- Why serial fiction is the A-game of writing
- Selling serials vs. selling completed or compiled works
- Companies experimenting with serials
- Why you shouldn’t use serialization as a marketing gimmick
Jane Friedman (@JaneFriedman) has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers. She is the publisher of The Hot Sheet, the essential newsletter on the publishing industry for authors, and was named Publishing Commentator of the Year by Digital Book World in 2019.
In addition to being a columnist for Publishers Weekly, Jane is a professor with The Great Courses, which released her 24-lecture series, How to Publish Your Book. Her book for creative writers, The Business of Being a Writer (University of Chicago Press), received a starred review from Library Journal.
Jane speaks regularly at conferences and industry events such as BookExpo America, Digital Book World, and the AWP Conference, and has served on panels with the National Endowment for the Arts and the Creative Work Fund. Find out more.