Reading Notebook #16: Life Interferes With Work & Vice Versa

From Bill Murray interview in Entertainment Weekly (via

“I just really want to work when I want to work. Life interferes, you know. When you’re young and all you have is your career, some of your life can be in second place. And then you want your life to take first place, and other people don’t see it that way. They see it that your life has to take second place, and it’s hard. Life is really hard, and it’s the only one you have. I mean, I like doing what I do, and I know I’m supposed to do it, but I don’t have anything to bring to it if I don’t live my life.”

Starbucker comments:

“Bill Murray [says] my life is in first place. But he adds something worth paying particular attention to, which I will paraphrase here: If I can’t bring my life to my work, I’m not going to do that work. Life is hard enough.

Let’s stop there for a second. That’s an easy thing to say when you already have more money than you can possibly need, and the main tangible output of work (read, money) isn’t an issue. Mr. Murray certainly is in that category.

How does it play out for those of us who aren’t in that situation? There’s the rub, as Hamlet would say.”

Go read the full, inspiring post.

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Posted in Life Philosophy, Reading, Work-Life.

Jane Friedman (@JaneFriedman) has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers. She is the publisher of The Hot Sheet, the essential newsletter on the publishing industry for authors, and was named Publishing Commentator of the Year by Digital Book World in 2019.

In addition to being a columnist for Publishers Weekly, Jane is a professor with The Great Courses, which released her 24-lecture series, How to Publish Your Book. Her book for creative writers, The Business of Being a Writer (University of Chicago Press), received a starred review from Library Journal.

Jane speaks regularly at conferences and industry events such as BookExpo America, Digital Book World, and the AWP Conference, and has served on panels with the National Endowment for the Arts and the Creative Work Fund. Find out more.

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