Is Writing Being Devalued by Giveaways and Cheap Ebooks?

indie authors and the value of free

Increasingly, at writing conferences and in the mainstream media, I observe growing unrest surrounding the proliferation of free and cheap literature, particularly ebooks. The reasons for sharp discounts and giveaways are legion (and some reasons are better than others), but regardless of the reason, I see greater peer pressure on and shaming of those who are seen to “devalue” literature in our culture.

Whole books have been written on this topic, as it’s an anxiety affecting creators in diverse fields. Some describe the phenomenon from a neutral and even historical perspective (“how have we ended up here?”), some are more activist in their approach (“fight and resist”), and still others are pragmatic (“here’s how to play with the hand you’ve been dealt”).

Given my position as a business consultant, I tend to focus on the last of these: how can a writer be competitive in the current environment and make a living? How can you reframe the problem as an opportunity and move forward? As someone who gives away much of her advice for free, on this blog, I am well versed in the power of free, and its disadvantages. And I’ve commented on strategic use of free here.

In my latest column for Publishers Weekly, I address this question again.

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Posted in Publishing Industry.

Jane Friedman (@JaneFriedman) has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers. She is the publisher of The Hot Sheet, the essential newsletter on the publishing industry for authors, and was named Publishing Commentator of the Year by Digital Book World in 2019.

In addition to being a columnist for Publishers Weekly, Jane is a professor with The Great Courses, which released her 24-lecture series, How to Publish Your Book. Her book for creative writers, The Business of Being a Writer (University of Chicago Press), received a starred review from Library Journal.

Jane speaks regularly at conferences and industry events such as BookExpo America, Digital Book World, and the AWP Conference, and has served on panels with the National Endowment for the Arts and the Creative Work Fund. Find out more.

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