should you typset your own book

Can You (Should You) Typeset Your Own Book?

If people judge books by their covers, then typesetting is the difference between a brief or a lasting impression. The cover may grab a reader’s eye, but what the reader sees when they crack open the book is what will hold their attention.

how to title your nonfiction book

Secrets to Developing the Best Title for Your Nonfiction Book

If you’re pitching your book to agents or editors, the perfect title for your book will define your subject and grab their positive attention. It should be a label they can confidently share with colleagues in editorial board meetings and use to convince the powers-that-be to release money to acquire your book.

comparing yourself to other writers

Emotional Etiquette for the Writer Seeking an Agent

Sometimes guidelines for writers discourage perfectly private, internal envy, anger, indignation, etc., directed toward other writers, or toward agents (or publishers) rejecting work. But that hardly seems realistic, nor is it fair to ask humans to stop being human.

cover letter for magazine or journal

The Perfect Cover Letter: Advice From a Lit Mag Editor

When submitting your short form literature to a magazine or journal, your cover letter is often the first impression an editor sees. It serves as an introduction to your thoughtfully crafted art. As such, it is significant, but it shouldn’t be intimidating or even take much of your time to write.

memoir won't sell

Why Your Memoir Won’t Sell

Everyone has a meaningful story to tell, but not everyone’s story (or writing) is going to deserve a commercial publishing deal. Here are the most common problems I encounter in memoir pitches and manuscripts.

Nonfiction book proposals

5 Research Steps Before You Write Your Book Proposal

Writing a nonfiction book proposal—a good one—requires not only sharp clarity about your idea, but also how that idea, in book form, is relevant and unique in today’s market. You’ll have a much easier time writing your proposal if you take time to conduct market research beforehand.

freelance writing

4 Freelancing Myths That Are Holding You Back

Misconceptions about getting started often hold new writers back. You may think that to be successful as a freelance writer, you need a J-school degree, an impressive database of editorial contacts, and a truckload of supplies. Not so—read on to learn the most common myths that can sabotage you before you start.

multifaceted

How Crowdfunding Allows You to Experiment Outside Your Genre

Established writers can’t often—and probably shouldn’t—publish far outside of their area of expertise. It’s a fast way to alienate your existing fan base. But crowdfunding allows you to experiment outside of your genre for a project you want to see out in the world.

hiring a pro editor

Should You Hire a Professional Editor?

But being able to truly see if you’ve been successful in writing a compelling work requires objectivity and distance than can be hard to achieve on your own—and this is where a professional editor comes in.

how to find publishers and agents

How to Find Publishers

If you have a book idea or manuscript, one of your first questions is probably: How do I find a publisher? Here are the most popular, essential resources.

The Complete Guide to Query Letters

This post was originally published in 2014; it is regularly updated with new information. If you’re seeking one-on-one help with queries, I offer a critique service. The query letter has one purpose, and one purpose only: to seduce the agent or editor into reading or requesting your work. The query letter is so much of a sales […]

how to write a novel synopsis

How to Write a Novel Synopsis

Learn how to craft a strong novel synopsis, while avoiding the most common mistakes, including the dreaded “synopsis speak.”

Writer's Digest (October 2014)

The Evolving Role of the Literary Agent

In the most recent issue of Writer’s Digest magazine, you’ll find my feature article, “The Evolving Agent.” I discuss how literary agents’ business models and services are changing to fit the needs of their clients, who are increasingly self-publishing or choosing hybrid paths. The article covers: the value of agent-assisted self-publishing what happens when agents use […]

Both Sides Now: A New York Editor and Author Goes Indie

Today’s guest post is by author Leslie Wells. I’ve been on both sides of the publishing desk—as an acquiring executive editor for several decades, and as an author. The experience has provided insights that I wouldn’t have had otherwise, and made me more sympathetic to the nerve-wracking process of trying to get your book published. […]

Illustration by Helena Perez / Flickr

5 Mistakes You’ll Make on the Way to Publishing Success

Today’s guest post is by Carmen Amato (@CarmenConnects), author of The Hidden Light of Mexico City and the Emilia Cruz series. You have a polished manuscript in hand, and you’re ready to publish. But the road from finished manuscript to bestseller list is more like a labyrinth rather than a straight path. There are dozens of choices and decisions ahead. Here are […]

Steven de Polo / Flickr

How to Write a Competitive Title Analysis

The following post has been excerpted and adapted from The Author Training Manual by Nina Amir, recently released by Writer’s Digest Books. If you’re embarking on a nonfiction book project, your analysis of the competitive landscape is critical, whether you self-publish or traditionally publish. You need to understand and be able to explain how your […]

by ChaoticMind 75 / Flickr

6 Ways Micro-Publishing Strengthens Your Author Career

Micro-published books are short, tight, and swift. A meaningful discussion of micro-publishing has been pushed aside during the ongoing tug-of-war between traditional publishing and independent publishing (self-publishing). But we are well beyond “everyone is a writer” at this point. We have progressed into “everyone is a publisher,” if they wish to be—and we have been living in this realm for some time already. Fortunately, micro-publishing benefits the industry as a whole by bringing some much-needed simplicity and directness into a publishing equation that is often weighted down by its own complexity and contracts. And it also benefits you, the writer.

A photograph of several bookstore shelves loaded with books.

Why Editors Focus on Page One

Editors can tell within a couple pages if a manuscript will be acceptable to them. How? What makes this decision so clear to an editor and so muddy to an author?

Photo by Caro Wallis / Flickr

Submission: 6 Rules of Thumb From an Editor-Turned-Writer

Today’s guest post is by writer and editor Jennifer Niesslein (@jniesslein), who is based in Charlottesville, Virginia. I’m experiencing karma. For more than a decade, I co-edited a literary magazine—I was the person who wouldn’t respond regarding your writing for three months, sometimes longer. And now, for the past nine months, I’ve been writing. It […]

Knocking on doors of traditional publishers

How Long Should You Keep Trying to Get Published?

Don’t you wish someone could tell you how close you are to getting traditionally published? Don’t you wish someone could say, “If you just keep at it for three more years, you’re certain to make it!” Or, even if it would be heartbreaking, wouldn’t it be nice to be told that you’re wasting your time, so that you can move on, try another tack (like self-publishing), or perhaps even change course entirely to produce some other creative work?

Bradlee Frazer

Q&A on Copyright With an Attorney

By far, I receive the most questions from writers on copyright, mainly due to this post: When Do You Need to Secure Permissions? So I feel very lucky to have found an intellectual property lawyer, Brad Frazer, who is friendly and enthusiastic about providing answers to writers on a range of copyright issues. He’s written three other […]