Writing Advice

A successful nonfiction book proposal addresses market demand and cements the writer’s authority throughout the entire document.

Shifting from memoir to fiction allows painful memories to be expressed, while sharing the hard-won wisdom we’ve gained through experience.

Subtext, the real conversation hidden by surface talk, can deepen the story with unpredictable outcomes and emotion.

It takes grit to seek and implement qualified feedback, and to keep finding ways to improve a manuscript even after you’ve given it your all.

If you’d like to see your work in national publications—and get paid—tailor your essay to smoothly fit their voice and mission.

A half-hour’s writing might yield only 500, 300, even a mere 100 words. But a half-hour’s writing over 7 or 8 months: a book’s worth of words.

Anticipation—“Will it happen or won’t it?”—keeps readers on edge, and we can make use of their need to know by building scenes that cater to it.

Why one freelancer believes that spending too much time at a computer holds writers back from producing their best work.

As writers, we often cling to certain myths that suck up emotional energy and reinforce practices that undermine the creative process.

When writing a prescriptive nonfiction book, anticipating doubts and objections lets your readers feel seen and keeps them on the page.

Skillful authors weave suspense and tension to draw readers through stories on a taut thread of unanswered questions and constant frictions.

Focusing on your “just right” reader—instead of trying to convey everything that every reader might need to know—can help combat overwhelm.

What’s between scenes is like mortar—necessary for your story’s structure, but not significant—and well handled using summary and spacers.

A little preparation—noting environmental details, character moods and motivations—will make a big difference in the way your scenes unfold.

Many successful authors maintain side writing careers, in less glamorous forms such as grant writing, copywriting, and ghostwriting.

“Making a scene” in public often happens spontaneously, but creating emotionally compelling scenes on paper requires considerable planning.

One author’s tips for performing your stories in front of a live audience.

Your novel’s external and internal parts must be intricately woven together to create a work that truly resonates with readers.

One of the best ways an author can learn their own storytelling craft lies in what we already avidly do: take in other creators’ stories.

Tips for avoiding stereotypes and tokenism, and presenting more interesting, complex, three-dimensional queer characters.

Memoirists have a lot of leeway in choosing a pitching strategy. But with freedom comes great responsibility, and it's easier to get into trouble when there isn't a tried-and-true formula to follow.

Providing feedback to every pitch would leave agents no time for their existing clients. Instead, check your own first pages for weak spots.

Beta reading for others can be a creative education. Lean into that, and your future books will be all the better for it.

Dedicated and even obsessive engagement with another creator’s work can open unexpected doors for your own writing.

Does my story matter? Is it good enough? They’re questions every writer asks, and the way to answer them is to connect to your why.

The early part of your memoir should reveal the short list of narrator flaws and problems you’ll resolve by the end of your book.

In times of sickness, cultural upheaval, and real existential threats, perhaps stories matter more than ever.

The pages of your journal can be a time machine, transporting you from the here and now to snapshots of your internal world, over the years.

Your book’s ending must reveal the story’s resolution. Once you know what you’re resolving, you can establish a clear path for getting there.

By spending as much (or more) time weaving a dynamic Story as you do creating a flashy Plot, readers will walk away feeling satisfied.

Here are some of the many ways that a journaling practice can serve as a laboratory for your writing, and your life.

Not only can a journaling practice sustain and inspire your writing projects—a commitment to it can inform and improve your entire life.

The more important and perennial a problem that a book addresses, the better the chances it will survive the test of time.

Wanting to leave your writing group doesn’t make you a jerk. Departing with grace is an act of kindness that furthers your development and the friendships you cherish.

The real reason writing groups sometimes fail us has nothing to do with the lovely people in them. The failure is due to a mismatch between what you need and what the group offers.

University presses are not just for scholars, and many are far more open-minded than you may think.

A story intro that shows internal trouble, signaling the beginning of a character arc, makes agents and editors sit up and take notice.

Flashback is a powerful tool for weaving in important backstory—but as with any power tool, using it well requires knowledge and care.

Children aren’t miniature grownups. When writing a story with a child character, take time to really listen to how kids of that age talk.

Setting an idea or draft aside for “percolation” allows the brain’s subconscious to arrive at insights while we’re busy with something else.

To survive and be happy in a creative career, focus on WHAT you’re doing and WHY—and have faith that everything will work out in due time.

For horror writers, here are some ways to frighten a reader so badly that they text someone at midnight saying, “You have to read this!”

What makes a memoir suitable for YA or middle-grade readers isn’t shying away from tough topics but approaching them with a child’s eyes.

It’s difficult yet important to develop enough confidence in your work that you’re not sunk every time someone dislikes it and says so.

Two literary agents discuss the usefulness and limits of assigning a genre to writing, and how it’s perceived by publishers and readers.

Writing sustainably about trauma requires practicing moderation, focusing on meaning, and working in ways that limit your exposure.

Defining your why, who, what, and how is the start of writing a powerful thought leadership book that conveys your vision and impacts lives.

For freelancers, forgoing social media can mean giving up crucial visibility. But it can also provide time to focus on being a better writer.

If you’ve been seeking external solutions to your writing problems, these internal shifts might have a more profound effect on your progress.

Writing about trauma isn’t like ripping off a Band-Aid. Here are some strategies for assessing whether you’re ready and proceeding gently.