Imprints aren’t just for big publishers; any self-publishing author can invent an imprint under which to operate. In this guest post, consultant and author David Wogahn explains the many ways that an imprint can help your branding and marketing.
A checklist for repackaging and republishing your own backlist after you get rights reverted from your traditional publisher.
A Q&A on children’s self-publishing with authors Zetta Elliott, who has released several books under her own imprint, including picture books; Brent Hartinger, who self-published a young adult series and a new adult series; Cheryl Klein, the author of a self-published a work of nonfiction; and Stephen Mooser, who released a middle grade book on his own.
For every new venture, there is a learning curve. When it comes to self-publishing your book, however, that curve can be steep.
More books are translated in France than in any other country: 1 out of every 6 books has been translated from a foreign language, many from English.
I would never tell someone to publish with a hybrid publisher—every writer’s goals are unique, plus hybrid publishing puts the financial risk on the author.
A self-published author breaks down her expenses and resulting sales after promoting on social media and email, paying for reviews, advertising, and more.
This is an introductory guide to the major self-publishing options available to authors today, and how to choose the right service for you.
If you’ve given up on the self-publishing route and want to try traditional publishing, then there are several approaches you can take to interest agents.
In this post I regularly update the best resources I know of related to learning to publish an ebook, finding the right distributors and services, and staying on top of changes in the industry.
The most important thing any author needs to know about book distribution is that more than half of all book sales (regardless of format) take place online.
There are advantages to selling ebooks only through Amazon, and makes most sense for authors who are just starting out or who are relatively unknown.
Amazon offers two ways for authors to advertise ebooks at their site. Learn how to smartly set up and manage product display and sponsored product ads.
How a self-publishing poet achieved visibility for her book—and landed a book deal with traditional publisher Andrews McMeel.
This week, I was a guest on the Create If Writing podcast, discussing traditional and independent publishing.
I’m writing monthly for the IngramSpark blog, which is focused on the concerns of self-publishing authors and small presses.
Should you self-publish? There is no single right answer to this question—it’s always situational. It depends on you, your book, and your career goals. This post outlines the key questions you should ask.
This printable and interactive checklist guides your self-publishing project to completion, to ensure you don’t miss any important steps and to help you hit your target pub date.
Read my feature article for Writer’s Digest magazine that explores the intersection of literary agents and self-publishing
How an indie author turned a story concept into a full-fledged multimedia universe, including a live blog, illustrated journal, merchandise, and podcast.
Should literary writers consider self-publishing? How it might affect their long-term careers? Two agents weigh in.
Learn about the likelihood of securing a traditional book deal after self-publishing.
Two literary agents offer their thoughts on the self-publishing of children’s books and what the future of the picture book might look like.
Is it possible that all the changes happening in publishing can be encapsulated by a conversation about self-publishing?
There are no “rules” for agent-assisted self-publishing, but the biggest drawbacks are usually loss of control and loss of royalties. All authors should negotiate a contract beforehand that protects their rights and lifetime earnings.
CJ Lyons (@cjlyonswriter) is an award-winning, critically acclaimed New York Times and USA Today bestselling author. She practiced pediatrics and pediatric emergency medicine for 17 years before scoring her first big book deal, after which she quit her job and decided to become a full-time author. However, a few weeks before her first book was to be published, it was pulled for reasons […]
Many years ago, when I started working for Writer’s Digest, I was put on the self-publishing beat. I started by reading Dan Poynter’s guide, by the godfather of self-publishing, then the Marilyn Ross guide. I attended EPIC, once the leading conference for e-book authors, and sat on a panel with Piers Anthony to discuss the […]
Today’s guest post is by Judy L. Mandel, author of the Replacement Child, forthcoming from Seal Press in March 2013. I asked her to tell the story of self-publishing her memoir, which ultimately led to a traditional book deal from Seal. Most authors don’t give any credence to luck, but they lie. Luck has so […]
Today’s guest post is by Ed Cyzewski. You may recall him from his previous post here, When Self-Publishing Is More Useful as a Marketing Tool. My friend Shawn recently released a book that shares his journey into full-time writing. It involves a failed small business, $50,000 in debt, a difficult return to his parents’ basement, […]
Some of you may have heard about the Alliance of Independent Authors (ALLi), a new organization supporting self-published authors. I’m one of the advisors, along with Mark Coker (Smashwords), Joanna Penn (Creative Penn), and Victoria Strauss (SFWA), among other well-known publishing professionals. I discuss reasons for moving to VQR, changes in publishing and self-publishing and […]
The turning point of my long-term publishing plans came when I realized I have very little in common with author Joanna Penn. Have you heard of her? I started following Joanna on Twitter because she always shared great writing links, but I also began to follow her self-publishing story. She wrote a novel, released it […]