The Indie Author Project identifies the best self-published fiction by state; thirteen states participate so far. This year’s national winner is Ran Walker.
Is it still necessary today to encourage men to read women, or to shine a targeted light on female writers? Bill Wolfe says yes.
Writer and graphic designer Jonathan Westbrook discusses what it’s like to win an extraordinary screenwriting contest, then have that win fall through.
Even a well-published and successful author can have a difficult time finding a home for a memoir. Margaret McMullan discusses her path to publication.
How much input should an author have when it comes to the narrator’s interpretation? When is feedback helpful, and when is it frustrating? What is a reasonable cost per finished hour of audio? An interview with Rich Miller.
Freelance editor and former literary agent Amy Tipton discusses her love of young adult and middle grade fiction, the “unlikable female character,” whether agents who don’t want a manuscript will be likely to pass it along to an agent friend, her personal editing style, and more.
Novelist Cai Emmons discusses how a van tour to meet booksellers in person helped her overcome her timidity toward book marketing.
Author Russell Rowland discusses the big mistake he made with HarperCollins, whether the journey of writing is truly its own reward, why his Indiegogo campaign worked so well, and his experiences with publishing—from one of the Big 5 to self-publishing.
A Q&A on children’s self-publishing with authors Zetta Elliott, who has released several books under her own imprint, including picture books; Brent Hartinger, who self-published a young adult series and a new adult series; Cheryl Klein, the author of a self-published a work of nonfiction; and Stephen Mooser, who released a middle grade book on his own.
In this 5 On interview, author and publisher Ian Thomas Healy shares what he learned from his experiences with literary agents, what to look for when submitting to small press publishers, his feelings about Amazon KDP Select, and more.
Author, publisher, and book marketer Julie Smith shares what she loves to write—and read—in a mystery, how her writing obsession evolved into marketing, the mistake many authors make with their book covers, and more.
Author Jay Swanson discusses how he’s succeeded with Patreon, which allows fans to pledge monthly financial support to his creative efforts.
Lisa Tener shares important lessons learned when writing her first book, the ups and downs of co-writing, the most important platform writers should have, and more.
Author Dario Ciriello talks about breaking writing rules, what publishing other writers taught him about the business, and how little he as a writer cares about what other writers think.
Tapas, a new digital publishing platform, has led to meaningful earnings and readership for independent artists and writers in less than two months.
Screenwriter and novelist Nina R. Sadowsky shares screenwriting techniques that have influenced her novel writing, and writers can learn from the screen.
Primarily an indie published author, Aleatha Romig participates in Kindle Worlds, which allows other authors to write about the characters in her work.
Debra Eckerling (@WriteOnOnline), founder of the writers’ support group Write On!, discusses common writer challenges, the value of blogs, what it means to take writing to the next level, tragic networking mistakes, and more in this 5 On interview.
Author Elizabeth Marro discusses literary vs. commercial fiction and what she learned from the sale and marketing of her first novel.
Author Caroline Leavitt reveals the fears behind her middle-of-the-night writer anxieties, the contents of her colored book tour folders, her reaction to the praise her latest novel is receiving, and more in this 5 On interview.
Author, editor, and publisher Rosalie Morales Kearns discusses why she started a feminist press (and what it takes to run it), favorite writing exercises, the deeply held interests that fuel her own writing, and more.
Author R.J. Keller on the notion of the “second-book slump,” how she dealt with a book idea similar to her own beating hers to the market, why to write the things that scare you, and more in this 5 On interview.
Author Massimo Marino discusses what it’s like to read science fiction as a scientist, his experience with the Booktrope publishing collective, the mission of BookGarage, and more.
Jane Friedman interviews author Bethany Joy Carlson about effective crowdfunding campaigns for authors.
Author Rufi Thorpe discusses writing for men, her improbable path to publication, what she likes to see in a book review, and more in this 5 On interview.
Author and editor Yi Shun Lai discusses writing for the J. Peterman catalog, common problems she sees in short fiction and short nonfiction, why she decided to start writing about being Asian, and more in this 5 On interview.
Author Che Gilson discusses what she as an unagented author learned to look for in publishing contracts, designing your own cover art, the necessity of continually creating new material, and more.
Philip B. Persinger discusses his attraction to sonnets, the broad art of writing and selling a play, why he published his latest novel with Amazon, and more.
Author/songwriter Henry Baum discusses self-publishing services, the value of a paid review, why he started his own self-publishing service, and more.
Author Gigi Rosenberg describes how she redesigned and relaunched her author website primarily on her own, only hiring assistance at the end.
Author Barry Eisler discusses the pros and cons (where they exist) of legacy, Amazon, and self-publishing; research and editing; selling book rights; and more.
Author and radio broadcaster Reggie Lutz discusses her tendency as a writer to synthesize fiction genres, recommends qualities to look for in a writing critique group, offers advice on pitching and interviewing with radio hosts, and more.
Book publicist Patrick Walsh discusses effective social media promotion, what it takes to make the same old book-marketing advice work for you, questions to ask yourself when trying to decide whether your story should be a book or a screenplay, and more.
Screenwriter Ashley Scott Meyers (@AshleyMeyers) discusses the critical writing lesson he learned over time, what it takes to make a living as a screenwriter, and what it felt like the first time one of his scripts was produced
In this 5 On post, bestselling author Elisa Lorello discusses authenticity, using social media to connect with readers, rejection, and the differences between self- and traditional publishing.
Jane Smiley on necessary compromises, writing good sex scenes, and what makes her nervous about writing even now in this 5 On interview.
Heather Hale discusses the top five mistakes screenwriters make, the usefulness of online script databases, and how to approach a first screenwriting contract.
David Corbett discusses the decline in our country’s writing skills, his personal approach to marketing, writing to the market vs. to the passion, and more.
Dr. Eric Maisel discusses how writers can overcome creative blocks and deal with internal self-criticism of their work.
In this interview, Bonnie Neubauer, author of The Write-Brain Workbook discusses her own creativity practices and goals, her favorite means of gathering writing prompts, and myths about creativity.
Debut author Nadine Darling discusses her revision and query process, blogging, writing with children in the house, and more.
Author and editor Chuck Sambuchino discusses promoting books, the talent writers need, and good writing advice.
Eddie Wright discusses artistic collaboration, why he adapted his novella into a graphic novel, marketing straight fiction vs. marketing comics, and more.
Sandra Gulland discusses the delicate process of blending of fact and fiction, the allure of unhappy endings, the publishing industry then vs. now, preparation for public readings/signings, and more.
Literary agent Mollie Glick on what drew her to being an agent, what kind of query letter gets a quick delete, thoughts on chick lit, and more in this 5 On interview.
Craig Lancaster talks about his surprise success, what he learned from his most memorable rejection, why he gets so personal on social media, and more.
Steve Brewer discusses having a book adapted to film, his personal writing and editing challenges, and the tricky experience of using a pen name.
Author and former literary agent Nathan Bransford discusses (among other things) the ongoing emphasis on author platform, publisher and author marketing responsibilities, and in what way being a literary agent influenced his writing.
Author and writing coach Hannah R. Goodman shares her experiences in self-publishing and marketing YA fiction.
Editor Jim Thomsen discusses freelance editing, story craft, favorite authors, and his own authorial aspirations.