“Hybrid publishers” are services that don’t fit the definition of traditional publisher or self-publishing service. It can be hard to determine their value.
In this interview, Josip Novakovich discusses expectations vs. reality, the role of writing instruction, trends in writing, and more.
You’ve probably heard the adage that you must begin your novel with action—even if it’s not the main action of the book. While this rule is fairly well-accepted in fiction teaching circles, not everyone agrees with it.
Publishers rarely see any money in anthologies and frequently reject them. But one author was still able to find a home for her project.
Literary journals have done little to move beyond their gatekeeping function, and cling to a scarcity model that no longer works in the digital age.
What does it mean to “engage” with a community? And what’s the benefit?
As a teenager, I looked on my mother’s files with disdain and, later, with pity. How sad, I thought, to just move papers about and never really do the things you want to do. How tragic, to lock up a life in a box.
In this interview, author E. E. King (Elizabeth Eve King) explains her approaches to writing, humor, marketing, and publishing.
When we talk about plot as separate from the characters, the symbols, the locales, the dialogue, and the philosophical introspection, what we are doing is privileging events over everything else. But nothing exists in a vacuum.
If you can’t portray someone you know personally in a positive fashion, you will probably lose this friend and/or be sued for libel.
I’m teaching a 90-minute class on how to be a more effective in your online writing, and how to grow your audience and traffic over the long term.
Consider the story or message you wish to share, rather than focusing on the container.
More writing does not necessarily equal better-quality writing, nor does faster writing lead to faster achievement of your goals.
In this interview, author Carol Hoenig explains what makes an author attractive to the media.
My website (JaneFriedman.com) has been named a 101 Best Website for Writers by Writer’s Digest.
On April 15–17, ALLI is hosting IndieReCon, a free online conference on self-publishing and reaching readers. Jane will speak on content marketing.
In this latest podcast interview, I discuss understanding your business as an author and expanding your personal brand beyond just book sales.
Last month, author Harry Bingham and I launched an author survey to explore the experiences and current leanings of traditionally published authors in the English language. The Bookseller in the UK originally reported on the survey here; it can catch you up on what we hoped to accomplish with this effort. So the results are now in. We received 812 responses; you can view […]
Robert Kroese reveals the process that allows him to write up to three books per year, and how authors can increase their sales potential.
I’m a proud contributor to an anthology releasing this week from University of Chicago Press, The Little Magazine in Contemporary America, edited by Ian Morris and Joanne Diaz.
Rejection is rarely personal—but it still hurts. So what do you do?
Learn how to improve the description of your book, and improve its metadata, when using Amazon KDP.
What is crowdfunded publishing? Learn about the two types of models now prevalent, plus the major services you can choose from.
What exactly goes on your author website—especially if you’re unpublished?
In this 5On interview, author Anne Perry discusses (among other things): what plot is not what to look for when looking for a good editor the professional process for an author who writes two to three books per year Anne Perry is an English author of historical detective fiction, best known for her Thomas Pitt […]
If you need a place to start, then focus on talking about or posting about others you admire.
A group of literary authors have launched a limited edition box set of novels. How did they make the collaboration work?
Working with a small press is an option many authors never consider. It’s the shadowy middle ground between self-pub and a Big Five contract.
It’s nearly spring, and that means conference season is about to go into full swing! Here’s a list of online & offline events I’m involved in.
A traditionally published children’s author discusses how she’s launched a successful indie publishing effort in less than two years.
BookBaby founder Brian Felsen discusses the push against the gatekeeper and the prevailing belief that not being on top is synonymous with being a “loser.”
A specific and daily moment of self-reflection can revolutionize your writing by offering you a clear picture of your mental state, anxieties, and fears.
Writers flounder trying to figure out how to make their idea compelling enough to sustain a great novel. Here’s how to go from ordinary to extraordinary.
To inspire other people to engage in something that you’re concerned about, you have to avoid getting caught in the trap of writing with an agenda.
You can find marketing inspiration in what others have done, but also know that the less advertised “strategies” might actually be the ones worth pursuing.
Two literary agents offer their thoughts on the self-publishing of children’s books and what the future of the picture book might look like.
Build a bio that’s not only better than most you have read, but also compelling enough to attract the fans & clients you’d like to have in the first place.
[This survey is now closed.] Are you a traditionally published author? Then please keep reading. In partnership with Harry Bingham of Jericho Writers in the UK, we’re launching a survey of traditionally published authors, regardless of whether or not they have also self-published. Our goal is to see how traditionally published authors are feeling about the choices […]
Learn the rules like a pro, so you can break them like an artist.
Today’s interview is by contributing writer Kristen Tsetsi (@ktsetsi), who does every-other-Wednesday interviews for the 5 On series. Anyone who pays any attention to my Facebook feed knows that I’m more than a little happy with my newly revised website. I didn’t understand why, at first. After all, the previous (and free) template I’d been using did […]
Full-time author and speaker Scott Berkun discusses his book marketing experiences as both a traditionally published author and self-published author.
Author Kathleen M. Rodgers discusses her approach to writing and reading, her self-promotion philosophy, and why she won’t self-publish.
Amazon’s Kids’ Book Creator allows the average Joe to create illustrated children’s books for the Kindle and upload them directly to Amazon.
In this interview, James C. Moore discusses journalistic vs. creative writing, finding time to write when time is hard to come by, and what being a New York Times best-selling author doesn’t mean.
UK author Harry Bingham describes the four stages of his career, and why he’s decided to self-publish after good experiences with traditional houses.
Do you have a project that confuses you, or feels dangerous? That’s what you should write says Mark Wisniewski.
Most novels have some amount of back story—because they rarely start from the beginning of a character’s life. However, writers tend to misuse it or include too much.
Giving away your work isn’t a problem if you’ve developed a strategy around it, and know how to turn new readers into fans.
Author and editor Victoria Zackheim discusses (among other things) the art of marketing when published by a press with a limited budget and the keys to successful personal essays.
For me, the hardest thing about being online is remembering what I think and the “why” that I’m working for. The multiplicity of voices can make you forget your center.