
Literary Agents Discuss Foreign Rights and the International Book Market
Literary agents Priya Doraswamy and Carly Watters discuss foreign rights, translation logistics, a book’s chances abroad, and much more.
Literary agents Priya Doraswamy and Carly Watters discuss foreign rights, translation logistics, a book’s chances abroad, and much more.
In this Q&A, agents Stefanie Sanchez Von Borstel and Leslie Zampetti tackle the complications of authorship and literary citizenship in the pandemic age.
In this Q&A, literary agents Jim McCarthy and Paula Munier discuss the priorities and responsibilities—to yourself and to others—of being a working writer.
For some authors, a single book deal is validation enough. For others, it’s the beginning of a lifelong journey through en ever-changing landscape. In this Q&A, literary agents Sarah LaPolla and Kim Lionetti discuss what it takes to sustain a career beyond the first big break.
Good literary agents keep fighting for books they believe in. But how do agents decide which authors to rep? In this guest Q&A, literary agents Linda Camacho and Jennifer March Soloway describe their ideal projects and offer strategic advice for authors.
If you’re a writer, how do you know if it’s worth the risk of leaving your current agent? Does past representation impede your ability to find a new agent?
A Q&A on children’s self-publishing with authors Zetta Elliott, who has released several books under her own imprint, including picture books; Brent Hartinger, who self-published a young adult series and a new adult series; Cheryl Klein, the author of a self-published a work of nonfiction; and Stephen Mooser, who released a middle grade book on his own.
Seven-figure deals seem to be given to more 20-something debut writers than debut writers in any other age group, yet Pulitzer Prize winner Annie Proulx started writing at 58—and Frank McCourt began writing in his 60s. Were these writers more talented than younger writers trying to break in at the same time? Or has the industry started gravitating more toward younger writers in recent years? Two literary agents, Sarah Davies and Dr. Uwe Stender, offer their thoughts on the publishing industry’s attitude toward age.
What should writers do if they feel that an agent isn’t honoring their obligations, contractual or otherwise? What’s the best way to speak up?
How do agents—generally considered the gatekeepers to publishing companies—approach the issue of diversity in the publishing industry?
Sangeeta Mehta interviews agents Bob Mecoy and Kristin Nelson about how agents can assist the hybrid author.
Sangeeta Mehta interviews agent Brenda Bowen about the success of the children’s picture book Sweet Pea & Friends: The SheepOver.
Literary agent Jessica Faust discusses how she helps authors self-publish.
Should literary writers consider self-publishing? How it might affect their long-term careers? Two agents weigh in.
Two literary agents offer their thoughts on the self-publishing of children’s books and what the future of the picture book might look like.
Note from Jane: Today’s guest post is by Sangeeta Mehta (@sangeeta_editor), a former acquiring editor of children’s books at Little, Brown and Simon & Schuster, who runs her own editorial services company. With all the changes taking place in the publishing industry, it seems harder than ever for even the best writers to secure a […]