Join me for official hours on Facebook—it’s free to everyone. You can ask questions about whatever challenge you’re currently facing.
I think it’s fair to say that most of us are not looking to add more social media activity to our lives. In fact, we prefer to trim online activity or drop entire networks if possible. So the advice I’m about to offer may feel objectionable and time-wasting at first, but if you stay with me until the end, […]
In the literary fiction world, it’s often taken as an article of faith that writing is an intrinsically important activity to be engaged in. Is it?
The primary function and value of an author website is marketing related.
What every author needs to know before they hire a publicist, and how to work with one successfully.
Agent Laurie McLean discusses the platform and book launch strategy for author/musician Simon Curtis.
The majority of authors will not benefit from paid book reviews, and should invest their time and money elsewhere. Here’s why.
A couple weeks ago, I advised young writers to have patience—with themselves, with the publishing process, and with their development. Writer Gabe Herron recently wrote an essay for Glimmer Train that echoes that theme as well. He says: Time is the main thing. There never seems to be enough of it, especially once you’ve gone […]
I’m interviewed by Len Edgerly of The Kindle Chronicles.
What young people need to know about writing and publishing.
Too many authors focus on short-term fixes for book marketing, when they need to implement a long-term approach that will work over many months and years.
In conversation with Joanna Penn, I discuss digital publishing trends and what authors need to know as they head into 2016.
Learn what it means to see and read the world in terms of narrative design.
No one used to question the value of a publisher, but now everyone’s wondering: What are they good for?
Learn how to pitch your nonfiction book to agents and publishers—whether you’re writing memoir, narrative nonfiction, or prescriptive nonfiction.
This printable and interactive checklist guides your self-publishing project to completion, to ensure you don’t miss any important steps and to help you hit your target pub date.
The most important publishing industry headlines and stories that every writer should keep an eye on in 2016.
Do males or females receive higher advances? I look at Publishers Marketplace deals data to find out.
Join me to discuss digital media tools and publishing this coming Thursday (December 10) at 3 p.m. Eastern, at the Product Hunt site.
I’m often asked: How can I be so productive? Or how does one balance creative work and other life demands? Here’s the most truthful answer I have.
For every 45 minutes that you write, do 15 minutes of something else. But there’s one catch.
Fiction writer Douglas W. Millikin offers an honest and insightful essay about the biggest myths writers face about their profession.
I am thrilled to announce that my 24-lecture series on how to publish your book is now available from The Great Courses.
Are literary journals justified in charging reading fees?
In a free one-hour class, New York Times bestselling author Jerry B. Jenkins will reveal the common plot mistakes he sees writers make, as well as his own personal storytelling tips—solutions that changed everything for him once he discovered them.
Dr. Eric Maisel discusses how writers can overcome creative blocks and deal with internal self-criticism of their work.
In this interview, Bonnie Neubauer, author of The Write-Brain Workbook discusses her own creativity practices and goals, her favorite means of gathering writing prompts, and myths about creativity.
A few lessons I’ve learned after more than a full year of full-time freelancing
3 ways to avoid long-term pain and suffering if you’re preparing to launch your first author website.
As publishing becomes increasingly digital-driven, how are the business models for authorship changing?
Writers may desire advice on how to better balance their writing lives and be productive, but few prescriptives are one size fits all.
Accessing the library market remains difficult for self-publishing authors, especially those with limited visibility. Here’s what authors need to understand before spending time and energy on library distribution.
Author and editor Chuck Sambuchino discusses promoting books, the talent writers need, and good writing advice.
The visionary independent publisher discusses how to make money from writing, why books are not culture, and why it isn’t Amazon’s fault.
Bo Sacks, a magazine industry vet, talks about technology, optimism, and what it’s like to put out a daily newsletter for 20 years.
Learn how to craft a strong novel synopsis, while avoiding the most common mistakes, including the dreaded “synopsis speak.”
Take a look at 5 charts that reflect current trends in the book publishing industry, and what they mean for authors.
Read my feature article for Writer’s Digest magazine that explores the intersection of literary agents and self-publishing
How do you balance work on your art with work on yourself?
How an indie author turned a story concept into a full-fledged multimedia universe, including a live blog, illustrated journal, merchandise, and podcast.
Be careful before applying someone else’s social media advice to your situation.
How to Sell Digital Products & Services Directly from Your Website: Advice for Authors and Freelancers
To sell products and services directly through your website, here are a few services and tools to get up and running fast (no coding or tech help required).
Understand the 7 sins of memory, and how to use these sins to convey greater meaning and truth in your stories.
A growing number of authors with serious literary cred are finding greater financial success—and a welcoming community—in the romance business.
What authors need to know about the process of getting a book adapted to the big screen.
Asking an editor or agent to sign a non-disclosure agreement is not part of traditional publishing business practice.
How to improve the effectiveness of your email newsletter through very specific changes to your sign-up forms and content.
Publishers use a P&L (profit & loss) statement to determine whether a book makes financial sense to publish. Here’s how they work—plus an example form.
If you want to write realistic dialogue, resist the temptation to follow a very logical “call and response” structure.
Chris Kenneally and I discuss the growing field of so-called “hybrid” publishers, and how authors can smartly evaluate them.