The Argument for Ambiguity in Your Story

Celeste Ng

To create a story that feels as if it could leave the page: That’s the dream of many writers. But to pull it off means leaving space for the reader. Celeste Ng, author of the newly released Everything I Never Told You, explains:

… you need to leave a few unmapped places so the characters can step beyond the boundaries you’ve sketched, a few strings untied so that the puppets can move freely without your hand. In other words, you need a little ambiguity: a space, however small, for the reader to fit into the piece. A story needs a little room for the reader to interpret, to bring in his or her own perceptions and conceptions.

But, you might ask, what is the difference between meaningful ambiguity and authorial indecision? Read Ng’s full essay at Glimmer Train to find out.

For more on writing craft & technique:

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Posted in Creativity + Inspiration.

Jane Friedman (@JaneFriedman) has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers. She is the publisher of The Hot Sheet, the essential newsletter on the publishing industry for authors, and was named Publishing Commentator of the Year by Digital Book World in 2019.

In addition to being a columnist for Publishers Weekly, Jane is a professor with The Great Courses, which released her 24-lecture series, How to Publish Your Book. Her book for creative writers, The Business of Being a Writer (University of Chicago Press), received a starred review from Library Journal.

Jane speaks regularly at conferences and industry events such as BookExpo America, Digital Book World, and the AWP Conference, and has served on panels with the National Endowment for the Arts and the Creative Work Fund. Find out more.

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